My Favorite Albums of 2016

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Another year gone by, another year filled with musical delights. We lost quite a few musical legends starting in December of 2015 – Scott Weiland, Lemmy Kilmister, David Bowie, Prince, Sharon Jones, Leonard Cohen, and George Michael to name just a few (and let’s not mention an overall list of artists who have left us in 2016). I lost my Aunt unexpectedly back in February the morning after attending a Black Sabbath show. The year was filled with unexpected highs and unexpected lows for me. As with anything in life, sometimes you have to feel bad to feel good (and vice versa). I made some friends, lost some friends, and reconnected with some old friends. Throughout it all, I had music playing. Here are my top albums of 2016:

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The Lovely Intangibles – Air & Numbers

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Seems like just a year ago I was listening to the debut album by The Lovely Intangibles. Actually, it has been just over a year since the band’s debut Tomorrow Is Never was released to great acclaim (including by yours truly). The band features 3/5 members of The Lost Patrol, Jon Camp of Renaissance fame, and Mary Ognibene of Dotsun Moon. The chemistry is natural and the tunes are magnificent. The sophomore album was mixed and mastered by Brian Kehew – known for his work with The Moog Cookbook, Air, Fiona Apple, and The Who (among others). Air & Numbers takes the sounds of the debut to the next level – the shimmering intersection of post-punk and shoegaze.

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The Lovely Intangibles – Tomorrow Is Never

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I once read on the world wide web’s preeminent authority on all things in life – Wikipedia – that film noir is “a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly such that emphasize cynical attitudes and sexual motivations.” The two modern writer / directors that I would associate with that term would be Quentin Tarantino and David Lynch. Both filmmakers are notable for their films’ visual flair, storytelling, and use of music that evokes a visceral reaction from the viewer. What good is a perfect film if it doesn’t have the perfect music? Along those lines, I’ve often sought out artists that sound like they are providing a soundtrack to an imaginary noir film. New York City’s The Lovely Intangibles fit the bill in stunning fashion.

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