Last Wednesday, June 27th, I found out that someone I grew up with had unexpectedly passed away. Suffice to say, my posts on “The Social Network” have been a bit emotional and delved into what happened, my sadness at his passing, and what he meant to me as a friend and mentor. Allan Feather was many things to many people, but to me he was a true friend. He was responsible for introducing me to “alternative music” in the early 90’s and took me to my very first show – an unknown Gin Blossoms opening for Toad the Wet Sprocket at the Trocodero in Philadelphia. I wanted to create a short post for my site that I can revisit as the years go by. I wanted to explore some of the songs and artists that Allan and I bonded over. One thing that Allan taught me was that it was OK to love underground bands and still love sports. Does that sound silly to you? In the 90’s, it was a real thing. A struggle. A battle. He made me laugh, he made me believe in myself, he made me experience nostalgia (something fake punks fight with all their might). And last week, he made me cry. This week too, in fact. And I think that’s OK. This post is for you Allan Feather.
The morning of May 18th, 2017 is not one that I’ll forget in my lifetime. I woke up to a message from a close friend indicating that Chris Cornell had passed away at some point early in the morning. Puzzled, it took me a few times to understand what had happened. Out of the blue news about a musician who had long seemed to settle into his lifestyle, it shook me to the core. News and articles seemed light on details at first – at first I thought it had been a hoax – but reality soon sank in. Chris Cornell – Seattle’s son – had passed away at the age of 52 by his own hand.
This is a guest contribution from Jeffrey Edwards, talking about one of the greatest albums ever made – Appetite for Destruction by Guns N’ Roses.
With the legendary rock band in the middle of their worldwide reunion tour Not in This Lifetime, it seems rather fitting to review their best-selling album, Appetite for Destruction. Having sold 30 million copies around the globe, this debut studio album is also one of the best-selling records of all time. It was released back in July 21, 1987, and remains one of the most influential rock ‘n’ roll albums, resonating with that spirit of rebellion that Guns N’ Roses were notoriously famous for.
While the majority of people are more familiar with the more popular tracks of the album, as games like Burnout on the PlayStation and Guns N’ Roses video slots from online gaming portal Pocketfruity feature “Sweet Child o’ Mine” and “Paradise City” in their musical scores, every song on the album played its part in making the album a commercial success. Kicking off the record with “Welcome to the Jungle”, which was reportedly written in just three hours, the aptly named track set the tone for their artistry and image. They were a rambunctious bunch of rockers whose rebellion and impulsivity was the driving force in their musical genius.
There are loads of interesting facts about the compilation of this album. According to NME, “Mr. Brownstone” was penned on a grocery bag. Another fun fact of the album is that “Out ta Get Me” is based on Axl Rose’s life as teenager back in Indiana, where he often found himself at odds with the law. And despite being a fan favorite, the band slated “Sweet Child o’ Mine” as a filler or circus music. But even with their less-than-favorable opinions of their biggest hit, fans love the song no less.
For those that don’t know GNR for anything other than their popular ballads, Appetite for Destruction is not meant for those who are afraid to venture beyond the conventional. The album explores all kinds of taboos through crazy guitar riffs, rebelling against the cultural atmosphere fostered back in the ‘80s. However, the record’s raw punk quality is what garnered its retrospective acclaim, becoming one of the greatest albums in music history.
Here is the complete tracklist for Appetite for Destruction:
1. Welcome to the Jungle
2. It’s So Easy
3. Night Train
4. Out ta Get Me
5. Paradise City
6. My Michelle
7. Think About You
9. Sweet Child o’ Mine
10. You’re Crazy
11. Anything Goes
12. Rocket Queen
What’s your favorite track?
Another year gone by, another year filled with musical delights. We lost quite a few musical legends starting in December of 2015 – Scott Weiland, Lemmy Kilmister, David Bowie, Prince, Sharon Jones, Leonard Cohen, and George Michael to name just a few (and let’s not mention an overall list of artists who have left us in 2016). I lost my Aunt unexpectedly back in February the morning after attending a Black Sabbath show. The year was filled with unexpected highs and unexpected lows for me. As with anything in life, sometimes you have to feel bad to feel good (and vice versa). I made some friends, lost some friends, and reconnected with some old friends. Throughout it all, I had music playing. Here are my top albums of 2016:
Another year gone by, another year in music to review. For me personally, it was a strange year in music. I found myself listening to unsigned / self released artists more often than some of the mainstream artists that I love so much. 2 Neil Young records – the 1st was good, if not great. The 2nd was a little too lush for my tastes. Neither appear on my year-end round-up. I looked forward to the new John Mellencamp (yes, seriously) but I came away only loving about half the record. Bruce Springsteen added Tom Morello of Rage Against the Machine to his band and the record he released didn’t disappoint me. I managed to get out to a few shows in 2014 and was blown away by Mudhoney (twice) and First Aid Kit. Speaking of First Aid Kit, their Stay Gold record grew in stature with repeated listens and should help them become a household name. So without further rambling, here are the records that I played the most in 2014. Note: these are listed randomly and I chose to focus on full length releases that were released in 2014.
Every so often someone will tell me about a band that I somehow either missed the 1st time around or hadn’t taken the time to delve into their catalogue. I have a few weaknesses, one of them being bass heavy post punk from the late 70’s into the 80’s (and let’s be honest, all the various revivals from the last 15 years or so). A friend of mine in the city of Angels buzzed me a few years ago asking if I’d heard that The March Violets had gotten back together. I’d heard the name (Sisters of Mercy connection in the early years) but sadly hadn’t heard any of their records. Somewhat hard to find, though not impossible in these glorious days of the “world wide web”, I quickly became a huge fan as I indulged in the early singles & records.
I recently had the chance to catch up with Mishkin Fitzgerald, vocalist & pianist for Brighton, UK’s Birdeatsbaby. The band recently concluded a successful Kickstarter campaign that will help fund their forthcoming record, due later this year. 2012’s Feast of Hammers was a brilliant record as was 2013’s Present Company – the latter staking its claim as Mishkin’s solo debut. 2014 brings winds of change (sorry, bad Scorpions reference) – a band member change and a slight shift in sound. The band has successfully built anticipation for the new record using social media and even got a shout out from Amanda Palmer during their Kickstarter campaign. Here’s a bit of what we chatted about.