Kings of Convenience came out of the heralded and forgotten “New Acoustic Movement” of the early 00’s. From the start, I followed each and every move by the duo. I thought of them as Norway’s own Simon & Garfunkel. Erlend Øye and Eirik Glambek Bøe were special talents, it was clear to me. I missed out on the opportunity to see them live while living near Seattle in 2002. I figured I’d see them next time. 19 years later, it hasn’t happened yet. Fortunately, there’s been strong album after strong album released in the years since their Kindercore self-titled debut in 2000 debut. Quality over quantity though – there’s been long gaps between albums after the 1st rapid fire releases of the self-titled album, Quiet Is The New Loud, and Versus remix album. In fact, 2021 marks 12 years since 2009’s Declaration of Dependence. Fortunately, the boys have returned with the timely album entitled Peace Or Love. The question was on my mind – would Kings of Convenience continue their winning streak? After a few spins the answer was clear – there is magic in the air.
I remember the 1st time I heard about David Olney. It was a blurb on a music website in January of 2020, saying that he had passed away while playing a concert. He looked out at the audience, said “I’m sorry” and closed his eyes. It seemed like a fitting way for an artist to leave this mortal coil – yet I didn’t explore his music further at that time. Since then, we’ve had a pandemic, I’ve relocated across the US, and the world seems more divided than it did just 18 months ago. Perusing through YouTube one night, a song by David Olney & Anana Kaye was suggested to me and I played it. Again, and again. It spoke to me in a way that few songs do. My Favorite Goodbye was just the tip of the iceberg though – the entire album is incredible.
The 2nd Weezer album of 2021 was recorded before the 1st (the stellar OK Human) but is stylistically different in every way. That’s not to say it isn’t without charm. The backstory for Van Weezer is that Weezer finally lets their (heavy metal) hair down. It’s a gimmick to be sure, but it mostly works. If you jumped off the Weezer train 20 years ago there is nothing on this album that will change your mind. For the Weezer faithful, it is a good album but may come as a slight letdown after the masterful album released just a few months ago. As for me, I’m “Weezer, ride or die” – for better or worse. Van Weezer is worth your time and energy and is a worthy addition to the Weezer canon. It bears almost no relation to Van Halen, but the album is dedicated to Eddie Van Halen’s memory. Probably all great material for the indie snobs pining for 1996.
For the last decade, Lana Del Rey has consistently put out stunning albums. Very few missteps, each album seemed to be an improvement over the previous. Her aesthetic was – and is – unwavering. Dedicated to a timeless cool imbued with fashion and nostalgia, she was both in vogue and hopelessly out of fashion. Not unlike another female icon – Nico, who did her own thing from the 60’s until her untimely death in the 80’s. There’s been many think pieces critiquing Lana’s every move – what she said, what she meant, who she was with. It never ends, it seems. All of this obscures the fact that the music she puts out is consistently great. 2021’s Chemtrails Over The Country Club might be her best album yet.
A few years ago, I got it into my head that wearing a John Mellencamp shirt to punk rock shows would be the most punk rock thing ever. Of course, it is kind of silly coming from me – an unabashed John Mellencamp fan and settling (mostly) comfortably into my 40’s. But I was really proud of the thought and put it into motion. I tested this theory of being uncool by wearing my Mellencamp shirt to a Mudhoney show in Seattle. Of course, I ran into Mark Arm (Mudhoney singer / co-founder) randomly, had a brief conversation with him, and realized that I wasn’t cool enough to own my uncool. Or something like that anyway. This story came to mind as I was listening to my review copy of the third Death Threat Cassette album. Use Your Delusion features a song called John Mellencamp & the Infinite Sadness – not only one of the best song titles in history, but it is also the best song on the new album.