In early 2016, I began experienced an unexpected death of a love one. Though I didn’t know it at the time, it began a streak of sorts. Each year since then, I’ve lost someone who has played an important role in my life. As the losses mounted up, I’ve returned to Nick Cave’s The Skeleton Tree time and time again. Though it was written prior to the death of his 15 year old son Arthur, it was recorded after. Vocally, it haunts me to this day. The weight behind the words, well, it was a fitting soundtrack as I said goodbye to someone new each year. It resonates with me as much as the day I first heard it. Nick Cave’s new album, Ghosteen, is his first record written and recorded since the loss of his son. And once again, I’ve lost someone dear to me. At its best, this record speaks to me in a way that few records ever have. It takes Nick Cave & the Bad Seeds into areas previously unexplored by the band. Continue reading
Mudhoney’s 2018 full length release, Digital Garbage, was a dark garage rock masterpiece. Lyrically imbued with the darkness of the times, it spoke to me on a visceral level. Hitting the sweet spot between The Stooges and Black Flag, it found the band firing on all cylinders. I also found myself playing a Pharisee type character as an extra in the band’s Kill Yourself Live video, just a few days after a good friend actually killed himself. It was strangely cathartic and I loved how the video turned out. It also helped that the song was a sarcastic, tongue in cheek anthem to the digital world of today. It was also catchy as fuck. Just about 1 year later the band is releasing Morning in America – a 7 song collection of outtakes from the Digital Garbage sessions. So how’s the collection hold up, coming hot on the heels of a late career highlight?
In mid-August my world was turned upside down – something that has become a yearly activity over the last 5 years. I received notification that my Grandmother had passed away at the tender age of 82. As it was communicated to me, the services would be held very quickly – just a few days later – making the airline tickets out of reach on such short notice. Fortunately, I already had vacation time as I had been expecting my parents in from Philadelphia the very next week. Their Seattle plans now cancelled, I had 4 vacation days lined up with nothing to do except dwell on the loss of my Grandmother. One thing led to another and I found myself on a whirlwind cross country trip, taking full advantage of my day job’s 3 day bereavement pay along with the aforementioned vacation time.
Loss is a curious thing – it hits you in different ways at different times in your life. The trip to Philadelphia and back to Seattle on the road was an adventure that surely will make its way into my fiction work at some point. Of course, there was the 5 days in Pennsylvania surrounded by family, love, and sadness. But that’s a tale to be told another time. What I want to focus on in this particular piece is the music that has helped me through the tough times. Happy or sad, I always return to music as a guiding force in my life
Sufjan Stevens “Should Have Known Better”
I’m not sure Mr. Stevens will ever top this song in my mind. Not about death, really – but it has a sigh of regret that really speaks to me. Accepting what was, what is, and hopeful for what will be is about as deep as one can get. The instrumentation is sparse, echoing the resignation in the vocals. Features my favorite lyric of all time: “Should have known better / nothing can be changed / the past is still the past / the bridge to nowhere”.
John Mellencamp “Longest Days”
I made it a goal to listen to only John Mellencamp while driving through Indiana on the way back to Seattle. Some of my friends mock my love of John Mellencamp, but I really don’t care. I think he is a gem and he speaks to me on many different levels. This song kind of kicked off Mellencamp’s current phase indebted to Bob Dylan and Leonard Cohen. It’s not an uplifting song, but as I was thinking of my Grandmom I kept playing this song over and over to listen to the line “But nothing lasts forever / Your best efforts don’t always pay / Sometimes you get sick / And don’t get better / That’s when life is short / Even in its longest days”.
The Flaming Lips “Do You Realize”
At their best, nobody captures the light and darkness the way The Flaming Lips do. The childlike innocence is buoyed by the realization that there are the sober facts of life. Nowhere is this more evident than on this 2002 single. I sang this at the top of my lungs somewhere in Ohio. “Do you realize that everyone you know someday will die? / and instead of saying all of your goodbyes, let them know / you realize that life goes fast / It’s hard to make the good things last”.
Bill Withers “Lean on Me”
I felt – and feel – somewhat broken as the impact of my Grandmother’s death hits me in different ways as each day dawns. I listened to this over and over in the car, I think somewhere in Iowa. My Chihuahua thinks I am a great singer. I don’t know who I was singing it to – maybe Bill Withers himself. He has such a calming voice in this song. It is one of the greatest songs in history.
The first time I heard this song was the day my Grandmother died and I instantly burst into tears. It is the most unusual song in the band’s entire catalogue – a ballad on piano w/ orchestration. The first time I heard it I was thinking about how the loss of my Grandmother was going to impact my Mother, and I was thinking about how to get home if need be. And suddenly, the lyrics “I really can’t fall apart right now / I really can’t touch that place / Thought I was all grown up right now / I really can’t show you my face”…”But I’m breaking in two / Cause I’m broken inside” spoke to me in a way that made it seem like the band knew what was happening.
David Bowie “Lazarus”
David Bowie’s final video and single hinted at his knowledge that he wasn’t long for this Earth at the time. It was an artistic triumph and a final way for Bowie to secure his legendary status. Electronic flourishes married to jazz orchestrations, and a lament for the ages. And yet…and yet…it makes me feel good every time I listen to it. “Look up here, I’m in heaven / I got scars that can’t be seen”. Indeed. My Grandmother is too, David.
Leonard Cohen “You Want it Darker”
Of course, Leonard Cohen pulled the same trick as David Bowie later in 2016. He released one of the finest albums of his entire career and passed away shortly after. Leonard Cohen also knew his time was limited and he spells it out in detail throughout the album. This track is unsettling yet strangely comforting. It is the Gospel according to L. Cohen. I played a mix of Leonard Cohen songs somewhere in Utah.
Jeff Buckley “Hallelujah”
Penned by Leonard Cohen but made famous by Jeff Buckley, this is a song that is usually misunderstood lyrically, though the emotions it evokes in the listener is true blue. I smirk when I see it being used in a religious way – I guess sex is a very spiritual thing when done right. Anyway, Jeff Buckley was a legend gone too soon and makes me feel like everything will be OK. I’ve listened to this song thousands of times and will never get sick of it. I listened to this in Idaho, tired from the road, missing my Grandmom.
Mark Kozelek & Jimmy LaValle “Somehow the Wonder of Life Prevails”
One day I think this collaboration will be spoken of in the same hushed reverent tones that are applied to The Postal Service. In fact, I prefer this project. It is a one off for Mark Kozelek, sounding like nothing else in his diverse and confounding discography. It is a story set to an electronic background, as Kozelek tells us about all of the people in his life he has lost. He keeps coming back to the simple things in life that we take for granted and the line “And the wonder of life always prevails”. I listened to this song 5 times in a row somewhere in Eastern Oregon.
Death Cab For Cutie “Title and Registration”
I was a pallbearer for my Grandmom which left an impression on me that I am still processing. After all was said and done, I threw the white gloves in my glove compartment and haven’t been able to bear the thought of opening it since. It reminded me of this song where Ben Gibbard sings quite a bit about the glove compartment. Obviously, I disagree with his lyrics now.
Mount Eerie “Real Death”
This song spoke to me quite a bit as I was thinking about my Grandmother. “Death is real / Someone’s there and then they’re not / and it’s not for singing about / It’s not for making into art”. It is sad and cathartic. I listened to this multiple times throughout my journey.
Eels “P.S. You Rock My World”
This is a song about pushing forward in life even after facing great losses. It is a bright moment on a dark album, and one that I want to end this exploration of songs to listen to in times such as these. “And I was thinkin’ ‘bout how everyone is dying / And maybe it’s time to live”. I’m not there yet, but it is a great reminder. This was my Washington State soundtrack.
One thing I’ve found over the last few weeks is that not everyone is going to understand your journey as you deal with grief. I keep thinking of that Depeche Mode song “People are People” – never has an expression seemed more apt. I can think of worse things than to be misunderstood, so I push on – relying on friends, family, art, literature, and music to get me through. Just last night I was taking in the Original Misfits and felt more alive than I have in almost a month. Time may not heal all wounds, but it sure helps them hurt a little less. I still miss my Grandmother though.
For Kathryn E. McGinley – May 11, 1937 – August 16, 2019
Southern California’s Ten Foot Pole are stalwarts of the scene’s pop punk sound and scene. The band began as Scared Straight in the early 80’s and were associated with the Nardcore movement which helped them make a name for themselves. The 90’s saw them working as labelmates with The Offspring, Rancid, and NOFX on the Epitaph label. Through the years the band has seen quite a bit of members come and go, with the one constant being Dennis Jagard on guitars and vocals. Escalating Quickly is the band’s 1st full length containing all original material in 15 years and along with Dennis Jagard, features Scott Hallquist on guitars & vocals, “Lil” Joe Raposo on bass guitar, and Sean Sellers on drums. It is a stunning return from these industry vets.
Bruce Springsteen has been a busy artist these past few years, though his discography doesn’t quite bear that out. He’s written an autobiography, had a one man show on Broadway, and released a Netflix special and accompanying album documenting that Broadway show. In fact, his last album wasn’t even an album at all in the traditional sense. 2014’s High Hopes was a collection of strays, covers, and re-recordings with the E Street Band along with Tom Morello of Rage Against the Machine and Prophets of Rage on a little more than half the album. Real album or not, I loved it. Western Stars is a 180-degree turn. In fact, you’ve probably never heard Bruce sound like this before.
Paul Den Heyer deserves to be more widely known. He made his first splash with Fishmonkeyman in the 90’s – who’s If I’ve Told You Once was a memorable Britpop hit in the early 90’s. From there he’s played with and produced many memorable bands – two of them very dear to my heart. I’m talking about the summer drenched tunes of Sunstack Jones and John Lever’s project The Red-Sided Garter Snakes – whose two albums showcased several artists influenced and inspired by John and his work with The Chameleons and The Sun and the Moon. It was a last influx of creativity before John passed away and it left me wondering what would come next from these artists, chief among them Paul Den Heyer. I didn’t have to wait long, as Paul’s been in touch with me letting me know about his solo work and sharing snippets over the “world wide web”. And now that it is here, how does it stack up? Does it live up to everything I had hoped?
Silver Screams are a punk band hailing from Boston, MA that offer up no frills, 70’s style punk rock. Their latest offering is a 3 song EP that clocks in at about 6 1/2 minutes. It hits hard, fast, and leaves the listener wanting for more. The band is comprised of Niff on guitar & vox, Earthdog on bass, and Pete on drums. At least two of those names may be stage names. The sound of the EP is raw – this could have been recorded anytime within the last 40 years or so. And I absolutely fucking love that – this is a masterful EP. Alive In The Afterlife kicks things off in high gear. Sung / shout vocals with an incessant guitar riff that leads into a classic punk rock chorus. Stitches Up has a killer intro bass line that is quickly overwhelmed by the full band instrumentation. It doesn’t quite quite have the pop appeal of the opener, but it is a worthy cut. Understand is a Government Issue cover and ends things on a high note. D.C. punk by way of Boston suits Silver Screams just fine. Overall, this is a short EP that is worthy of your time and attention. You can pick it up here and check out their updates on The Social Network.
Verdict: Punk Classic
For Fans of: The Clash, Sex Pistols, Buzzcocks, Warsaw, The Jam