Memory of a Melody hail from San Antonio, TX. A band that is true to its Texas metal roots, it also brings a melodic side to their crushing anthems, hence their name – it isn’t just a clever moniker. The early 00’s saw multiple releases from the band that steadily increased their profile before they went on hiatus. 2020 heralds the return of the band and their first release in over 7 years. The band’s full throttled attack features Mario Galdos on vocals, Wade Sigue and Roel Castillo on guitars, Joel Martinez on bass, and Robin Lopez on drums. Layers upon layers of instrumentation make for an appealing heavy metal brew. The new 3 song EP is a stunning return from the band and a reminder of what makes them so great.
The Burn Alive EP is a stunning return, 3 tracks of raw energy that is inspiring. It sounds heavy, melodic, and sounds wholly original. Mary Go Round kicks the proceedings off with a slice of prime metal, thrash alternating with emotional longing. A System of a Down vibe with this track which is only a good thing. Burn Alive is my favorite song on this release. It has a lighter vibe that harkens back to the balladry of the 80’s. Lyrically wise, this is a tale of longing and what could have been. I’d be remiss to not mention that the song has a killer guitar solo and again hints at thrash. The song ends in epic fashion, the music building an epic symphony of noise. Rise Up closes out the EP in a glorious wave of thrash metal. It is a fitting end to an exhilarating 3 track EP.
The Burn Alive EP is available here and comes highly recommended. It is a stunning debut and a sign of good things to come.
Verdict: A Welcome Return
For Fans of: System of a Down, Ozzy Osbourne, GNR, Skid Row, Lita Ford
Ozzy Osbourne returned in February with his first solo album in a decade and first batch of songs since the Black Sabbath tour document The End. That EP had a few studio leftovers from 2013’s comeback album 13 and a few live tracks from the tour. It didn’t feel like the last we’d hear from Ozzy at the time and I’m glad the Prince of Darkness has blessed us with Ordinary Man – his strongest solo album in years.
The post grunge landscape of the late 90’s / early 00’s is littered with Nirvana-lite failures – bands that grabbed the limelight for a brief moment with catchy songs full of faux pain, then disappeared – missing the roots and point of the Seattle original scene. Puddle of Mudd didn’t fit within that convenient narrative. Formed in 1991 by Wes Scantlin, Jimmy Allen, Sean Sammon, and Kenny Burkitt it’d be another decade before the band had a breakthrough with the Jimmy Allen / Doug Ardito / Wes Scantin penned song, Blurry. By this time, Jimmy Allen was no longer with Puddle of Mudd, having moved on to writing for other bands and working with independent projects. The late 00’s saw Jimmy Allen form Against All Will, which released various EP and singles from 2007 through 2013 to critical acclaim. Late 2019 saw the release of a new project – Cooker featuring Jimmy Allen on guitar and former Puddle of Mudd bassist Troy McCoy. This is the real deal – it might be the finest album Jimmy Allen has been involved with.
The album kicks off in high gear with Settle the Score – intricate guitar work, a killer bass line, and howled vocals that wouldn’t sound out of place in Seattle circa 1989 (or 2019 – Seattle’s like that). Choke Up is the single getting spins on hard rock radio – and no wonder. It has the catchiest melody and has the verse chorus verse structure that Kurt Cobain famously talked about in Nirvana’s music long ago. This isn’t retro – it is an invigorating and decidedly modern anthem. The musicianship is outstanding – everyone is firing on all cylinders. Brown Girl is another highlight – a mid-tempo stroll through the emotive side of the band. The song builds and builds until it reaches a crescendo 2/3 of the way through, truly allowing the listener to experience the same catharsis as the performers. Roach is a perfect way to end the album – a pure visceral outpouring that serves as an encapsulation of the band’s strengths. It leaves the listener wanting more.
The album is out now and comes highly recommended. Jimmy and Troy are calling this a side project, but I hope to hear more from them in the future.
For Fans of: Puddle of Mudd, Stone Temple Pilots, Nirvana, Mudhoney
- Settle the Score
- Bad Unit
- Choke Up
- Brown Girl
The 10’s proved to be a busy time for Neil Young. Starting off the decade with one of his strongest records – 2010’s Le Noise – it ends with another strong record, the recently released Crazy Horse reunion, Colorado. Although the new record marks the first Crazy Horse album in 7 years, Neil Young has released 9 studio albums in the last decade. That’s averaging a new studio release every 13 months, for those of you keeping tracking at home. There were moments over the last few years where people openly wondered if we were in an era comparable to Young’s wilderness period of the 80’s – such was the off the cuff, immediate quality of the records being released. For every Le Noise or Psychedelic Pill we also had Storytone or Peace Trail. In the midst of this, Neil also found time to form a new band with Promise of the Real – thus far, this has resulted in two albums that have multiple moments of inspiration mixed in with some lesser tunes. For me, there is always at least one classic Neil Young song on every album, and I’ve been pretty happy with the output over the last decade. I was excited when Colorado was announced – a reunion with the original grunge band, Crazy Horse. That feeling hasn’t gone away after repeated listens – in fact, this is arguably the strongest Neil Young album of the decade.
Atlanta, GA’s Black Swan Lane has become an institution in the modern post punk scene. Formed in the mid 00’s by Jack Sobel, John Kolbeck, and Mark Burgess, they’ve remained dedicated to nurturing emotional responses out of listeners worldwide through an intoxicating mix of lyrics, soulful vocals, and stellar instrumentation. Early listeners may have been attracted to the band by the connection to The Chameleons, which is understandable – but the years after Mark Burgess (lead singer of The Chameleons) moved on have seen the strongest Black Swan Lane albums. Now down to a duo, the band features multiple guest players on each album. Vita Eterna is the 8th full length offering from Black Swan Lane – and their finest album to date.
One of my favorite indie releases of the last few years was AAA Battery’s Corrosion of Buddha. A cross country, file swapping kind of project, the project held up as an homage to the corrosion of the human spirit. Musically, it was a blend of alternative sensibilities with progressive rock leanings – kind of like Neil Young meeting Tool. AAA Battery’s Fred Jeske rang me up back in June to tell me about his forthcoming project – Conduit of Humanity. It sounded really ambitious – a group of 20+ individuals getting together to create reality bending music that could change hearts and minds. But isn’t that what the best music does? We made plans to get together in Seattle in August at his band’s performance and…my life took a left turn. Instead of catching up with Fred and taking in his band, I found myself driving across the USA on the very same day I had made plans with Fred. Sorry Fred! His new project – Conduit of Humanity – has recently released their debut album, The Zen Cage. And I can tell you, it is an album that lives up to it’s ambitions.
In early 2016, I began experienced an unexpected death of a love one. Though I didn’t know it at the time, it began a streak of sorts. Each year since then, I’ve lost someone who has played an important role in my life. As the losses mounted up, I’ve returned to Nick Cave’s The Skeleton Tree time and time again. Though it was written prior to the death of his 15 year old son Arthur, it was recorded after. Vocally, it haunts me to this day. The weight behind the words, well, it was a fitting soundtrack as I said goodbye to someone new each year. It resonates with me as much as the day I first heard it. Nick Cave’s new album, Ghosteen, is his first record written and recorded since the loss of his son. And once again, I’ve lost someone dear to me. At its best, this record speaks to me in a way that few records ever have. It takes Nick Cave & the Bad Seeds into areas previously unexplored by the band. Continue reading