Benjamin Gibbard – Former Lives

I’ll probably repeat myself many, many times over the course of my reviews when it comes to one topic that puzzles me – the term “hipster”. What does it mean? What does it denote? I’m still not certain, even after reading about how I live in the hipster capital of the United States (Yes, Seattle beats out a few other cities I thought would be ahead of us). Death Cab for Cutie were considered an up and coming indie band up through 2003’s Transatlanticism. This, along with The Postal Service‘s Give Up (Benjamin Gibbard’s side project with Dntel’s Jimmy Tamborello, also released in 2003) appears to have been the peak of anything about Death Cab for Cutie appearing hip. From there, the band adopted mass acceptance which in turn turned the hipsters against them. I’ve liked or loved everything they’ve done though, and I approached the news of a solo Benjamin Gibbard album with curiosity – how would it differ from the band’s albums?

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