Mansun – Six

Mansun

Part 47 of a series that will run throughout 2013 as I discuss records that have affected me throughout the years – Flashback Fridays

In 1997 at some point – the exact details are hazy – a friend and I set out to see a show at the TLA on South Street in Philadelphia. The headliners were a band called The Seahorses, featuring John Squire, formerly of The Stone Roses. Although I had their record, I really wasn’t there to see them (and as it would turn out, I wouldn’t even stay for their set that night). The opening band was a band called Mansun who had recently released their debut record, Attack of the Grey Lantern.

The mid 90’s was a strange time period for a wannabe hipster latching onto the Britpop scene. Oasis, Blur, Pulp, and Suede (that’s The London Suede for us Yanks) were all clearly within the genre, but there were dozens – if not hundreds – of bands that didn’t quite fit so neatly into the tag. I bought anything I could that was lumped into the scene, sometimes based on an article I’d read in an import music magazine whilst killing time at Barnes & Noble. I’d read about Mansun, and their glam inspired look combined with decidedly non britpop musical leanings pulled me in. Their 1st record quickly became a favorite of mine, culminating with the show I caught at the TLA. They ended their set with an incredible version of their 1st single “Take it Easy, Chicken” and my friend and I felt like there was no way The Seahorses – John Squire and all – could ever top Mansun. And so we left the venue. Upon reflection, this may have signaled the end of my personal Britpop phase.

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Mishkin Fitzgerald – Present Company

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Last years Feast of Hammers album by Birdeatsbaby was an intoxicating blend of goth-chamber-pop that made for an evening of (un) easy listening. The band embarked on a successful tour of the United States, making a pit stop in Seattle where I got to  hang out with the band and enjoyed their explosive live show. A feeble attempt to conduct an interview at the venue turned into an email exchange that shed light on the bands creative process. Mishkin offered up tantalizing hints of a forthcoming solo record which intrigued me. How would Mishkin’s solo work differ from the band setting?

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Various Artists – Distant Drums (tribute to Simon Worrall of the Paris Angels)

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Compilation albums have always been a tough sell with me. Typically I hone in on a few acts that grab me – buy everything by those bands, and forget all about the compilation. There have been a few exceptions over the years – the Factory records box set, the Left of the Dial series, and anything associated with the Messthetics DIY series (to name just a few). When I got word that a tribute compilation album in memory of the Paris Angels Simon Worrall was in the works, I had a feeling it’d be a compilation that would sit comfortably on the (digital) shelf with my other favorites – and I was right. The compilation features musicians from Manchester, England from various levels of notoriety. To understand how or why these friends of Big Si (as he was affectionately known) came together to celebrate his life that was cut short far too soon in November of 2011, one must revisit the story of the Paris Angels.

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