Another year gone by too quickly. Nothing left to do but try and recount all the great music releases of 2013. We saw the return of David Bowie, (3) new Mark Kozelek records, band reunions, and high-profile hip-hop releases. We also saw people upset with Miley Cyrus quite a bit and while I don’t enjoy her music I thought that the controversies were overblown. I was really looking forward to the new Eminem record but ended up liking only a few songs. Kanye West’s new record didn’t really do anything for me and I couldn’t get into the long-awaited My Bloody Valentine. My list is lacking some of those albums that are on other sites – some of them I didn’t dig all that much and some of them I just didn’t replay very much.What can I say? I march to my own beat. On the flip side, I loved every Mark Kozelek related album, discovered a few gems, and rocked out to Black Sabbath. So here’s a look at 50 music releases from 2013 that I played over and over again. I’ll see you in about a week with the 1st article of 2014.
“The Phantom Light name originates from a 1935 film of the same name which follows the disappearance of two lighthouse keepers stationed on the desolate coast of Wales. It’s a haunting early example of the work of the visionary director Michael Powell, and resonated with founder members frontman Anthony Jones and drummer Matty James, who had grown up staring out from the shorelines of Swansea”
The above statement from the bands biography conjures up all sorts of imagery in one’s head. The sea can be a source of solace in times of great stress – it can also play the role of reminding a fragile human of the power of Mother Nature. Remember kids – we can love the ocean, but the ocean doesn’t love us. It just is. The Phantom Light take inspiration from the sea and their surroundings in Wales (that’s the part of the UK that isn’t Scotland, Northern Ireland, or England). The music at time recalls bands from the classic era of the Shoegazing scene (Slowdive, Ride, My Bloody Valentine) whilst also displaying the uncanny ability to provide melodies in abundance. At times throughout this stunning EP I was reminded of early Genesis (Peter Gabriel era) and late 70’s era Magazine. Whatever you want to call this mix of styles, one thing is certain – this is a record that belongs in your collection.