Pale Pose is a new project out of Athens, GA (home to another mildly famous band know as R.E.M.). The project was started by Kyle Kendall as a one-man band indulging in a variety of styles deeply indebted to the underground. Tom Ashton of The March Violets and Clan of Xymox came on board to offer up his studio wizardry and the rest, as they say, is history. Now, I was already excited when I heard snippets of the album when it was sent my way for potential review, but when I saw The March Violets connection, I had to smile to myself. A few years ago, I desperately wanted to see The March Violets in Seattle but could not make the timing work. Life happened, the band is no more, and I missed out on a great opportunity. So, seeing Tom Ashton’s involvement whetted my appetite, you could say. And what an album this is! Doorways; The Exiter is a brooding, masterful debut release from Pale Pose.
Every so often someone will tell me about a band that I somehow either missed the 1st time around or hadn’t taken the time to delve into their catalogue. I have a few weaknesses, one of them being bass heavy post punk from the late 70’s into the 80’s (and let’s be honest, all the various revivals from the last 15 years or so). A friend of mine in the city of Angels buzzed me a few years ago asking if I’d heard that The March Violets had gotten back together. I’d heard the name (Sisters of Mercy connection in the early years) but sadly hadn’t heard any of their records. Somewhat hard to find, though not impossible in these glorious days of the “world wide web”, I quickly became a huge fan as I indulged in the early singles & records.