Kicking off reviews for 2021 in February, bypassing January completely, in the midst of a snowstorm the likes of which has not been seen in these parts in ages. Fitting, really. What better company than that of an old friend? I am speaking of the new record by England’s Sunstack Jones. A group that is equal parts Americana and British psychedelia. All these things and more. The band enjoys a loose association with The Verve’s Simon Jones (no relation), who has lent his recording techniques to the latest records by Sunstack Jones (no relation). All joking aside, this is a fruitful collaboration that has drawn out the band’s strengths. Paul Den Heyer once again is involved in the final mixes, giving the new album a familiar vibe from previous albums. That being said, Golden Repair is the finest album yet from Sunstack Jones. Not many bands can say that at this stage in their career.
Paul Den Heyer deserves to be more widely known. He made his first splash with Fishmonkeyman in the 90’s – who’s If I’ve Told You Once was a memorable Britpop hit in the early 90’s. From there he’s played with and produced many memorable bands – two of them very dear to my heart. I’m talking about the summer drenched tunes of Sunstack Jones and John Lever’s project The Red-Sided Garter Snakes – whose two albums showcased several artists influenced and inspired by John and his work with The Chameleons and The Sun and the Moon. It was a last influx of creativity before John passed away and it left me wondering what would come next from these artists, chief among them Paul Den Heyer. I didn’t have to wait long, as Paul’s been in touch with me letting me know about his solo work and sharing snippets over the “world wide web”. And now that it is here, how does it stack up? Does it live up to everything I had hoped?
Liverpool’s Sunstack Jones have long been one of my favorite indie bands over the last 5 or 6 years. Hints of 60’s psychedelia, nods to 90’s Britpop, and meticulous attention to detail make for an engaging listen. The band operates as a collective, something that has been part of their modus operandi since day 1. Christopher Jones is on vocals / guitar joined by Richy (drums), Lorcan (guitar), Dave (vocals / guitar), and Jules (bass). The band have a number of releases to their name, all evoking nostalgia, coastal drives by sunset, and life’s regrets. The latest self titled LP takes these traits and perfects them.
Spring is in the air – finally. One of the rainiest winters on record in the Seattle area is finally showing signs of taking it’s leave. Not coincidentally, I’ve had the latest EP from Sunstack Jones on repeat for a while now, summery tunes that have me longing for warmer weather. Hailing from Northern England, I’d imagine the band suffer from the same affliction as I – a desire for the wintry rain to go away. On earlier releases I’ve been transfixed by the band’s ability to work at a convincingly high caliper whilst blending in such disparate elements as folk, pop, shoegaze, & country. Ultimately, I measure a band’s impact by their ability to transport me away from daily life and into their world – on that count, Sunstack Jones succeed wildly. Days Stand Still is the latest offering from the band and it continues their winning streak
It Ain’t Easy sounds like The Byrds meets Ocean Colour Scene and is a standout. A sing-a-long anthem, it hints at despair beneath its breezy tone. “Don’t it seem some things / They just turn to nothing / And I’m barely coping / It ain’t easy”. It is the perfect choice for the single from this release. Days Stand Still has an intricacy to its guitar parts that reminds me of Simon & Garfunkel or Kings of Convenience. Add in those layered harmonies and it is a tune that’ll find repeated plays. Walking in Our Sleep slides into shoegaze territory – a melodic bass line, hushed vocals, and a mix that emphasizes vibe over instrument separation. Always Something Up closes the record on an upbeat, rocking tune that wouldn’t sound out-of-place on a mid period album by The Monkees (the absolute highest praise coming from me).
You can find out more about the band and / or order records here. I highly recommend this album – it has been a soundtrack for an unusual month for me, and its summery tones are capable of providing an escape from drudgery. Keep your eyes open for the latest full length from Sunstack Jones – coming out this summer.
Verdict: Shades of Summer
For Fans of: The Monkees, Mojave 3, Neil Young, Galaxie 500, Teenage Fanclub, The Byrds
- It Ain’t Easy
- Days Stand Still
- Walking In Our Sleep
- Always Something Up
Summertime anthems are quickly becoming a tradition with North England’s Sunstack Jones. In 2013 the band released one of my favorite indie singles of that year called You Can Help Me Out. They bettered that in 2014 with a full album of anthems called Roam – Britpop infused melodies with hints of Americana. 2015 continues the tradition with the release of the Good This Time single b/w ace b-side This Can’t Keep Going On.
The title track just might be my favorite release from the band to date. Hints of shoegaze by way of The Verve shine bright on this tune – shimmering melodies, vocals evoking a dream like state. “Listen and I’ll try to talk you out / Listen get your feet back on the ground” urges vocalist Chris Jones, a ghost like voice rising out of the walls of instrumentation. This Can’t Keep Going On is every bit the equal of the A side (so, I guess tied as my favorite Sunstack Jones song). A distinct Slowdive by way of Mojave 3 vibe carries this tune. Still wandering in and out of a dream like state, there is a driving urgency on this song that makes for an engaging listen. Fuzz tone guitar riffs immediately after the chorus recall a Phil Spector wall of sound. Perfect.
Verdict: Hazy Shade of Summer
For Fans of: The Verve, Mojave 3, Slowdive, The Ocean Blue, Swervedriver