Not too long ago, there was a Saturday Night Live skit that had Matt Damon playing the world’s biggest Weezer fan, much to the chagrin of Leslie Jones – who was adamant that Weezer made two great albums – 1994’s Blue Album and 1996’s Pinkerton – before losing their muse and becoming corny. I’ve seen variations of that argument play out on chat boards over the years and read snobby reviews of their modern albums. It has never failed to bring a smile to my face. Anyway, in case you were wondering, I related more to the Matt Damon character. He states he is “Weezer Ride or Die” – and I actually own a t-shirt with that slogan. Not every Weezer album is great, but there are gems on each album. I continue to be amazed by the indie elitism espoused by fans of only their first two albums. Their loss, I suppose. 2021 promises two Weezer albums. Van Weezer will be out in May and promises to be Weezer’s heavy metal inspired album. But first, we have OK Human – an album recorded with a full orchestra at the famous Abbey Road Studios in London. It just may be my favorite Weezer album since the early days.
It goes without saying that I am one of those people that considers himself a Monkees fanatic. I have every album in various deluxe editions that have been released over the years. On lesser albums I’ve sifted through the filler to find the gems (there are not too many lesser albums though.) John Lennon may be one of my musical idols, but sometimes I just prefer to listen to The Monkees over The Beatles. Those late 60’s albums by the “Prefab Four” stand up to anything their peers were putting out at the time. Live, I’ve never seen all 4 at the same time. In 1997 I saw Micky Dolenz, Davy Jones, and Peter Tork in Valley Forge, PA for the Justus tour. In 2012 I saw Micky Dolenz solo at a small casino just weeks after Davy Jones passed away. And in 2013 I saw Michael Nesmith, Micky Dolenz, and Peter Tork in downtown Seattle. All shows were memorable and expertly performed – the band members have come a long way from their origins as a make-believe band put together for a television show. A few months ago it was announced that The Monkees would be releasing a new album for their 50th anniversary. I wondered – would this be like The Beach Boys album from a few years ago (I can’t remember anything from that one) or would it be something special? The fact that the project was being produced by Fountains of Wayne’s Adam Schlesinger gave me hope – I love Fountains of Wayne’s unique power pop perspective.
The post Nirvana music world left a wasteland of burned out one hit wonder alternative rockers. Weezer didn’t fit that mold, thankfully. Their 1994 debut album was an almost instant hit (over 3 million copies sold to date) that straddled the line between straight up Rock n Roll and what was called at the time Alternative Rock. It also launched an endless, tiresome debate that is now almost 2 decades old. Following 1996’s beloved Pinkerton (which some consider a landmark album in the Emo movement), Weezer seemingly turned their backs on confessional alternative rock and started delivering up less emotional power pop rock – a trend that has mostly continued to this day. What is mainstream music? What is hip? Weezer has been considered both at times, and has also had some silly hatred thrown their way over the years from the hip crowd who moan with each release “but…but…it isn’t Pinkerton!”. Honestly – every Weezer album has songs that I really like and songs that I skip (yes, those early records too). If the band has had a weakness in the past, it is the inclination to get as many songs out in lieu of a cohesive listening experience. So how does the new record, Everything Will Be Alright In The End, stack up? It is a glorious record – a perfect storm of strong material and smart editing choices.