Memory of a Melody hail from San Antonio, TX. A band that is true to its Texas metal roots, it also brings a melodic side to their crushing anthems, hence their name – it isn’t just a clever moniker. The early 00’s saw multiple releases from the band that steadily increased their profile before they went on hiatus. 2020 heralds the return of the band and their first release in over 7 years. The band’s full throttled attack features Mario Galdos on vocals, Wade Sigue and Roel Castillo on guitars, Joel Martinez on bass, and Robin Lopez on drums. Layers upon layers of instrumentation make for an appealing heavy metal brew. The new 3 song EP is a stunning return from the band and a reminder of what makes them so great.
The Burn Alive EP is a stunning return, 3 tracks of raw energy that is inspiring. It sounds heavy, melodic, and sounds wholly original. Mary Go Round kicks the proceedings off with a slice of prime metal, thrash alternating with emotional longing. A System of a Down vibe with this track which is only a good thing. Burn Alive is my favorite song on this release. It has a lighter vibe that harkens back to the balladry of the 80’s. Lyrically wise, this is a tale of longing and what could have been. I’d be remiss to not mention that the song has a killer guitar solo and again hints at thrash. The song ends in epic fashion, the music building an epic symphony of noise. Rise Up closes out the EP in a glorious wave of thrash metal. It is a fitting end to an exhilarating 3 track EP.
The Burn Alive EP is available here and comes highly recommended. It is a stunning debut and a sign of good things to come.
Verdict: A Welcome Return
For Fans of: System of a Down, Ozzy Osbourne, GNR, Skid Row, Lita Ford
Ozzy Osbourne returned in February with his first solo album in a decade and first batch of songs since the Black Sabbath tour document The End. That EP had a few studio leftovers from 2013’s comeback album 13 and a few live tracks from the tour. It didn’t feel like the last we’d hear from Ozzy at the time and I’m glad the Prince of Darkness has blessed us with Ordinary Man – his strongest solo album in years.
The post grunge landscape of the late 90’s / early 00’s is littered with Nirvana-lite failures – bands that grabbed the limelight for a brief moment with catchy songs full of faux pain, then disappeared – missing the roots and point of the Seattle original scene. Puddle of Mudd didn’t fit within that convenient narrative. Formed in 1991 by Wes Scantlin, Jimmy Allen, Sean Sammon, and Kenny Burkitt it’d be another decade before the band had a breakthrough with the Jimmy Allen / Doug Ardito / Wes Scantin penned song, Blurry. By this time, Jimmy Allen was no longer with Puddle of Mudd, having moved on to writing for other bands and working with independent projects. The late 00’s saw Jimmy Allen form Against All Will, which released various EP and singles from 2007 through 2013 to critical acclaim. Late 2019 saw the release of a new project – Cooker featuring Jimmy Allen on guitar and former Puddle of Mudd bassist Troy McCoy. This is the real deal – it might be the finest album Jimmy Allen has been involved with.
The album kicks off in high gear with Settle the Score – intricate guitar work, a killer bass line, and howled vocals that wouldn’t sound out of place in Seattle circa 1989 (or 2019 – Seattle’s like that). Choke Up is the single getting spins on hard rock radio – and no wonder. It has the catchiest melody and has the verse chorus verse structure that Kurt Cobain famously talked about in Nirvana’s music long ago. This isn’t retro – it is an invigorating and decidedly modern anthem. The musicianship is outstanding – everyone is firing on all cylinders. Brown Girl is another highlight – a mid-tempo stroll through the emotive side of the band. The song builds and builds until it reaches a crescendo 2/3 of the way through, truly allowing the listener to experience the same catharsis as the performers. Roach is a perfect way to end the album – a pure visceral outpouring that serves as an encapsulation of the band’s strengths. It leaves the listener wanting more.
The album is out now and comes highly recommended. Jimmy and Troy are calling this a side project, but I hope to hear more from them in the future.
For Fans of: Puddle of Mudd, Stone Temple Pilots, Nirvana, Mudhoney
- Settle the Score
- Bad Unit
- Choke Up
- Brown Girl
One of my favorite indie releases of the last few years was AAA Battery’s Corrosion of Buddha. A cross country, file swapping kind of project, the project held up as an homage to the corrosion of the human spirit. Musically, it was a blend of alternative sensibilities with progressive rock leanings – kind of like Neil Young meeting Tool. AAA Battery’s Fred Jeske rang me up back in June to tell me about his forthcoming project – Conduit of Humanity. It sounded really ambitious – a group of 20+ individuals getting together to create reality bending music that could change hearts and minds. But isn’t that what the best music does? We made plans to get together in Seattle in August at his band’s performance and…my life took a left turn. Instead of catching up with Fred and taking in his band, I found myself driving across the USA on the very same day I had made plans with Fred. Sorry Fred! His new project – Conduit of Humanity – has recently released their debut album, The Zen Cage. And I can tell you, it is an album that lives up to it’s ambitions.
Southern California’s Ten Foot Pole are stalwarts of the scene’s pop punk sound and scene. The band began as Scared Straight in the early 80’s and were associated with the Nardcore movement which helped them make a name for themselves. The 90’s saw them working as labelmates with The Offspring, Rancid, and NOFX on the Epitaph label. Through the years the band has seen quite a bit of members come and go, with the one constant being Dennis Jagard on guitars and vocals. Escalating Quickly is the band’s 1st full length containing all original material in 15 years and along with Dennis Jagard, features Scott Hallquist on guitars & vocals, “Lil” Joe Raposo on bass guitar, and Sean Sellers on drums. It is a stunning return from these industry vets.