Oh Man Wow – s/t

Some of my favorite bands are the ones that avoid easy characterization. Indie band Oh Man Wow have just released their debut album, and this fits that description perfectly. The band is made up of Bryan Ray on vocals / guitar, Joy Maydak on bass / guitars / keyboards, Fred Jeske on guitars, Sam Schauer on guitars, Jerry Pellizzer on drums, David Ziegler on guitars, and Roy and Rich Randall on guitars. A collaborative project, the album varies in sound with a wide array of influences. For me, it finds that sweet spot most commonly heard in the 70’s – where hard rock, metal, prog, and power pop melt into one. The album was produced by Joe Maydak and mixed / mastered by Jordon Zadorozny (of Blinker the Star fame). It’s an impressive debut that is more than the sum of its parts.

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Andrew Steck – Theater

Andrew Steck is a composer based out of Athens, GA – yes, the home of R.E.M. His instrumental work is classical inspired infused with a modern pop sensibility. He’s been putting out albums at an aggressive rate, each with numerous highlights. Like so many others, my 2020 went a bit sideways so I did not get to review the album he released late in the year. Inner Loop / Outer Loop is a complex orchestral ballet – but it is so much more. As chance would have it, I ended up with a few vinyl copies and turned my Dad into a fan. One of the pleasures of moving home to Philadelphia after 18 years in the Pacific Northwest. But I digress – that’s last year’s news. Andrew’s new album is called Theater and is the equal to – if not better than – last year’s album. Conceived as a set of one act plays, each piece stands alone and also contributes to the overall vibe. Having seen my first Broadway show in New York City in over 20 years a few weeks ago (The Book of Mormon, thanks for asking), this record really spoke to me on a visceral level.

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Empiires – Stronger

Empiires are a metal band based out of Dallas, TX. A few singles under their belt thus far, Stronger is the latest tune from the band. Featuring a classic metal sound but imbued with the aggression of Texas metal, this is a band that has a bright future ahead of it. The band is made up of Bishop Booker on vocals, D Paul on guitars, Matthew Gene on bass, and Clay Wise on drums. The band calls Stronger “a rallying cry to anyone who has ever dealt with self doubt”. The track starts out furiously right off the bat, guitars overwhelming the mix immediately. The vocals feel inspired by the greats of metal – Iron Maiden, Judas Priest, and singers from that ilk. Lyrically, the song feels like an anthem for empowerment. “What doesn’t kill me / Only makes me stronger”. Great, great stuff. The band locks into a nice groove, just a killer hard rock / heavy metal jam. I’m looking forward to what comes next from this band!

You can follow the band on The Social Network here.

Verdict: Texas Metal Masterpiece

Kings of Convenience – Peace Or Love

Kings of Convenience came out of the heralded and forgotten “New Acoustic Movement” of the early 00’s. From the start, I followed each and every move by the duo. I thought of them as Norway’s own Simon & Garfunkel. Erlend Øye and Eirik Glambek Bøe were special talents, it was clear to me. I missed out on the opportunity to see them live while living near Seattle in 2002. I figured I’d see them next time. 19 years later, it hasn’t happened yet. Fortunately, there’s been strong album after strong album released in the years since their Kindercore self-titled debut in 2000 debut. Quality over quantity though – there’s been         long gaps between albums after the 1st rapid fire releases of the self-titled album, Quiet Is The New Loud, and Versus remix album. In fact, 2021 marks 12 years since 2009’s Declaration of Dependence. Fortunately, the boys have returned with the timely album entitled Peace Or Love. The question was on my mind – would Kings of Convenience continue their winning streak? After a few spins the answer was clear – there is magic in the air.

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David Olney & Anana Kaye – Whispers and Sighs

I remember the 1st time I heard about David Olney. It was a blurb on a music website in January of 2020, saying that he had passed away while playing a concert. He looked out at the audience, said “I’m sorry” and closed his eyes. It seemed like a fitting way for an artist to leave this mortal coil – yet I didn’t explore his music further at that time. Since then, we’ve had a pandemic, I’ve relocated across the US, and the world seems more divided than it did just 18 months ago. Perusing through YouTube one night, a song by David Olney & Anana Kaye was suggested to me and I played it. Again, and again. It spoke to me in a way that few songs do. My Favorite Goodbye was just the tip of the iceberg though – the entire album is incredible.

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