Later Fortune is the brainchild of Philadelphia’s Chet Delcampo and Heyward Howkins – two indie artists who have made their mark with solo records that stood apart from the crowd by using intelligent lyrics married to ridiculously strong melodies. Chet Delcampo (real name Chris Madl) took his name from Steve Buscemi’s character in the Coen Brothers’ classic, Barton Fink. He’s released a few solo records and singles along with two records under the Hong Kong Stingray moniker. Indie rock at its finest. Heyward Howkins might be familiar to some of my readers as I’ve reviewed both of his solo albums. I really have always loved his folk / pop sensibility as filtered through historical anecdotes by way of his Philadelphia roots. A band formed around these two huge talents is a major force to be reckoned with.
The band started out as a way for friends to get together and record spontaneous collaborations. The idea of recording a song a month was thrown around, with the result being an album released at the end of 12 months. Sometimes the best ideas start out with the best intentions but lead to a different result. And here’s what we have – the brand new, debut single from Later Fortune. As an introduction to a new band, it is perfect. It makes an impact and leaves the listener wanting more. A 12 Year Audition is a low-key gem, hushed vocals and resonant, joyful melody that builds as the song progresses. Birds of Papau is an instrumental b-side, evocative in the atmosphere it builds over the course of 3 minutes or so.
You can pick up the record here. I’m really looking forward to what comes next from Later Fortune , this is an impressive debut.
Verdict: Stunning Debut
For Fans of: Mojave 3, Neil Young, Honeychurch, Simon & Garfunkel
Philadelphia’s RunHideFight are a breath of fresh air and are a fitting band to kick off 2019 reviews with. This is their first release, a 2 song 7 inch that clocks in under 5 minutes total – but what an incredible blast of brilliance to introduce themselves with. The band features Geeta Dalal Simons on guitars & vocals, Christine Weiswer on bass & vocals, John Terlesky (aka Brother JT) on guitars & vocals, and Jon Kois on drums. Collectively, the members of the band have a ton of connections and experience playing in the Philadelphia region with various bands. After a decade+ away from the music scene Geeta Simons was ready for a return – now approaching the music with the perspective of being a parent. It makes for interesting and heartfelt approach. The band name? That’s the new stop drop and roll for kids – run hide fight is a catch phrase for active shooter situations in schools across America. The new normal. The band excels at fuzzed out garage rock rave ups. He’s A Jerk is the A side and it is a noisy 2 minutes of white noise bliss. The band is locked in sync and I’ll tell ya, Geeta’s scream is absolutely killer. Because I Love You has a slightly less aggressive approach with a sing-a-long vibe and catchy guitar riff pulsating throughout the entirety of the tune. I can’t wait for the full length.
You can buy the single here – physical copies or digital. Follow the band on The Social Network and if you are near a major Northeast city, keep your eyes open for their tour schedule.
Verdict: Fiery debut
For Fans of: The Raveonettes, The Sonics, The Runaways, R.E.M.
When I was about 19 in the mid 90’s in the midst of the Britpop scene, I used to wander the aisles of the Princeton Record Exchange (Princeton, NJ) looking for the latest and greatest up and coming bands. Back in those days record collecting wasn’t as easy as following the links on the “world wide web”. You had to read, read, and read some more. And sometimes, I went with my intuition if an album cover caught my eye. And so it was with the 2nd Strangelove album, Love and Other Demons. A “blind” purchase, if you will – it instantly became a favorite record. There was a connection to the band Suede, but I truly had no idea about that when I bought the album. It has remained a treasured album in my collection for over 22 years since. A perfect mix of hope, melancholy, and a sense of being out of control. I loved it, love it, and will always love it. Singer Patrick Duff in particular spoke to me on a deeper level. Lyrically, I related to the themes of loss, love, and despair. Vocally, he was somewhat indebted to the nuances of Depeche Mode’s David Gahan, as filtered through the glam rock sensibility of Suede’s Brett Anderson. The years passed, the band sobered up, broke up, and Patrick forged his own path as a solo artist. But that path was quite unlike any he had walked before.
This time of year I’m always reminded of a skit from the show Portlandia – Fred had been on a seemingly perfect trip with a dream date. He sighs and shakes his head. His friends are puzzled – “What do you mean, it looked amazing” they exclaim. “Everyone on the internet – they aren’t having as great of a time as you think they are” Fred explains. And Carrie chimes in “Yeah, they’re just cropping out the sadness”. It is a perfect summation of Facebook posts this time of year – perfect this, perfect that. And I’m sorry, that just doesn’t exist. The new EP from Tacoma, WA’s Strangely Alright brought this whole thing to mind. They are a tight band playing straight forward glam rock ‘n roll, deeply indebted to the T. Rex and Bowie school of thought. No frills, no BS – they just hit you in the soul with real vibes.
The new album by Lay Low Moon is called On This Day Last Year. It is an interesting title for an album, and made me wonder where I was last year at this time and the year before that. In this day and age of “on this day” in Facebook land, much of the mystery of our memories has been removed. Still, I have no idea where I was on this day last year. The year before I was attending the last Fred & Toody show I’d ever attend (of Dead Moon fame). Fred Cole got cancer in 2017 and died late in the year. So, I was thinking about that today – I had no idea that the show I was at would be the last time I’d see them. I wonder what I was thinking when I took pictures of them and took in the music? Gone with the winds of time I suppose. So, we’ve established that I love the title of Lay Low Moon’s new album. How about the music?
My background with the band Live coincides with my discovery of “alternative” music in the early 90’s, my desire to seek out bands that did things their own way, and a mentor who helped introduce me to many bands that I still love to this day. The band cut a record in the late 80’s while still in high school under the Public Affection moniker, fell in with Jerry Harrison of the Talking Heads and released their masterful debut as Live in 1991, Mental Jewelry (still my favorite). From there the band became more and more popular, selling tens of millions of records along the way. Throwing Copper, Secret Samadhi, and The Distance to Here all were records that helped solidify Live as a household name. From there, the band experimented with their sound (V), released a somewhat underappreciated album (Birds of Pray), and released an album with some strong songs but overall didn’t showcase the band’s strengths (Songs From Black Mountain). The band went on hiatus, followed by solo albums, one-off projects, and a Live album cut with Chris Shinn of Unified Theory fame. A reunion of the original four members seemed to be an impossible scenario.
I first fell in love with Mudhoney in the summer of 2013. You could say I was about 25 years late to the party. I’d owned their records and liked them. But it wasn’t until I was at my first Mudhoney show at the Sub Pop Festival in Seattle that everything clicked for me. The perfect unholy alliance of garage rock, punk, and grunge. Fortunately, Mudhoney play a ton of local shows and I’ve had the opportunity to meet members of the band, catch their live show over a dozen times, and even appear in one of their music videos. Digital Garbage is the band’s first album in 5 years and reflects the uncertain times in which it was recorded.