A year after reintroducing himself to the music world with the 1st of 2 EP’s, Mansun’s Paul Draper returns with his debut solo full length album – over a decade in the making. EP1 and EP2 from last year showcased Paul’s writing partnerships with Catherine Anne Davies (The Anchoress) and Steven Wilson (of Porcupine Tree fame). Older, wiser – packing a punch. The lyrics hinted at sadness & hurt – which makes for great songs, even if the experiences were painful. Not one to dwell on nostalgia, the new songs remained true to the Mansun sound while forging a new way forward. It was exhilarating music to listen to, but it made me wonder – could the long-awaited full length Spooky Action live up to expectations? I’ve lived with the album for a bit now, and the answer is a resounding yes.
EP Two continues the return of Paul Draper, formerly the lead singer for Britpop outsiders, Mansun. As with EP One, the quality offerings continue, whetting the appetite for Draper’s upcoming full length, Spooky Action. Many years ago I saw Mansun open for The Seahorses in a fairly small club in Philadelphia. Truth be told, Mansun were so good that my friend and I left before The Seahorses took the stage (apologies to John Squire + company). I’d love to have the opportunity to see Paul Draper solo, perhaps in 2017. EP Two feels like a continuation of EP One – 3 unique songs along with an acoustic version of lead off track Friends Make The Worst Enemies. The proper version kicks off the EP in stunning fashion. Has a better song title existed or truer words been spoken? A mid tempo slice of melancholy, it wouldn’t sound out-of-place on a Mansun album. Vocally, it is superb – dare I say it, Paul’s voice seems to have grown in stature after all these years. Co-written w/ Catherine AD (The Anchoress) it features cutting lyrics with an air of despair. “Get people on your side / the effective use of lies is how to work”. Indeed. Some Things Are Better Left Unsaid is my favorite song of 2016 from Mr. Draper. An acoustic lament for the 1st 90 seconds with the refrain “wish I had told you” on repeat, it segues into some of the finest orchestration I’ve heard in ages for the last minute or so. It hits the emotional core. Regret, longing, sadness. Perfection. Don’t You Wait It Might Never Come is a classic rocker that could be an A side in its own right. Glam, Britpop, Mansun like. Might be the most Mansun like track of Paul’s solo career to date. The EP closes with an acoustic version of the lead off track. Stunning in delivery, it is a hell of a way to close an EP. The full length can’t get here soon enough.
You can follow Paul on The Social Network here. You can catch the latest news at his official website, pauldraperofficial.com. The EP is available now on all digital outlets w/ physical copies & special packages also available through the store section of Paul’s website.
Verdict: Winning Streak Continues
For Fans of: Mansun, Strangelove, Blur, The Twilight Sad, The Anchoress, The Cure
Part 47 of a series that will run throughout 2013 as I discuss records that have affected me throughout the years – Flashback Fridays
In 1997 at some point – the exact details are hazy – a friend and I set out to see a show at the TLA on South Street in Philadelphia. The headliners were a band called The Seahorses, featuring John Squire, formerly of The Stone Roses. Although I had their record, I really wasn’t there to see them (and as it would turn out, I wouldn’t even stay for their set that night). The opening band was a band called Mansun who had recently released their debut record, Attack of the Grey Lantern.
The mid 90’s was a strange time period for a wannabe hipster latching onto the Britpop scene. Oasis, Blur, Pulp, and Suede (that’s The London Suede for us Yanks) were all clearly within the genre, but there were dozens – if not hundreds – of bands that didn’t quite fit so neatly into the tag. I bought anything I could that was lumped into the scene, sometimes based on an article I’d read in an import music magazine whilst killing time at Barnes & Noble. I’d read about Mansun, and their glam inspired look combined with decidedly non britpop musical leanings pulled me in. Their 1st record quickly became a favorite of mine, culminating with the show I caught at the TLA. They ended their set with an incredible version of their 1st single “Take it Easy, Chicken” and my friend and I felt like there was no way The Seahorses – John Squire and all – could ever top Mansun. And so we left the venue. Upon reflection, this may have signaled the end of my personal Britpop phase.