Catching Up With Birdeatsbaby

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I recently had the chance to catch up with Mishkin Fitzgerald, vocalist & pianist for Brighton, UK’s Birdeatsbaby. The band recently concluded a successful Kickstarter campaign that will help fund their forthcoming record, due later this year. 2012’s Feast of Hammers was a brilliant record as was 2013’s Present Company – the latter staking its claim as Mishkin’s solo debut. 2014 brings winds of change (sorry, bad Scorpions reference) – a band member change and a slight shift in sound. The band has successfully built anticipation for the new record using social media and even got a shout out from Amanda Palmer during their Kickstarter campaign. Here’s a bit of what we chatted about.

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A Geek’s Guide to Music in 2013

2013

Another year gone by too quickly. Nothing left to do but try and recount all the great music releases of 2013. We saw the return of David Bowie, (3) new Mark Kozelek records, band reunions, and high-profile hip-hop releases. We also saw people upset with Miley Cyrus quite a bit and while I don’t enjoy her music I thought that the controversies were overblown. I was really looking forward to the new Eminem record but ended up liking only a few songs. Kanye West’s new record didn’t really do anything for me and I couldn’t get into the long-awaited My Bloody Valentine. My list is lacking some of those albums that are on other sites – some of them I didn’t dig all that much and some of them I just didn’t replay very much.What can I say? I march to my own beat. On the flip side, I loved every Mark Kozelek related album, discovered a few gems, and rocked out to Black Sabbath. So here’s a look at 50 music releases from 2013 that I played over and over again. I’ll see you in about a week with the 1st article of 2014.

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Mishkin Fitzgerald – Present Company

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Last years Feast of Hammers album by Birdeatsbaby was an intoxicating blend of goth-chamber-pop that made for an evening of (un) easy listening. The band embarked on a successful tour of the United States, making a pit stop in Seattle where I got to  hang out with the band and enjoyed their explosive live show. A feeble attempt to conduct an interview at the venue turned into an email exchange that shed light on the bands creative process. Mishkin offered up tantalizing hints of a forthcoming solo record which intrigued me. How would Mishkin’s solo work differ from the band setting?

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