Some of my favorite scenes in movies are forever intertwined with the music playing at the time. Thinking back to Ghost World, by the far the most touching scene was the end sequence where some very adult decisions and realizations about life are made. David Kitay’s Theme From Ghost World lends the scene the emotional weight needed to draw the viewer / listener in. The same thing could be said about the end scene of Donnie Darko while Michael Andrews & Gary Jules version of Mad World tugs at the heartstrings. Deryshire’s (that’s in England) Haiku Salut have created an impressive debut that serves as the soundtrack to an imaginary film.
“a massacre of the epic – a locked-on pleasure-seeking doom-laden machine gun charge through modern society, and its intense mediocrity and distasteful recent past – beautifully massive in all departments and a right royal fuck-you fingers up to all that is top of the pops” – blurb about the new Black Reindeer album on Stephen Jones’ Bandcamp website
In the mid 90’s it seemed I was chasing down a new Britpop band every other day. It gave me a chance to feel like I was part of a scene and stand around with a few million other outsiders, secure in the knowledge that our chart topping bands were a treasured secret. In those days I relied on import magazines from the UK to give me news about up and coming bands (still do, to a lesser extent). A statement about a Babybird release in the UK music magazine Q caught my eye, comparing the act to The Divine Comedy and Neil Hannon. I made the trek to 3rd Street Jazz in Philadelphia and managed to secure an original copy of one of the 1st lo-fi albums. Nothing like The Divine Comedy to be honest – but it began a life long pursuit of buying anything Stephen Jones released. This has involved Babybird, Death of the Neighbourhood, albums released under his own name, and his latest project – Black Reindeer.