The latest album by Radiohead arrived after a series of mysterious events relating to the band. The band’s website faded away, social media accounts went dark, and mysterious cards went out to fans. All culminating in the release of A Moon Shaped Pool. The two songs and videos that had been released – Burn the Witch and Daydreaming – only hinted at the brilliance contained within. Gone are the grunge indebted guitars as well as most of the inscrutable electronic exercises. In their stead are songs seeped in English folk, motorik krautrock, and a deep sense of middle-aged sadness. For me personally, it is an album that I can relate to on a deeper level. After a dozen spins or so, I have no problem stating that this is my favorite Radiohead album since 2001’s Amnesiac. With a band like Radiohead it can be a slippery slope to navigate. They’ve steadfastly presented themselves as outsiders, even whilst having their every move analyzed by tens of millions of fans. It’s an interesting position to be in – perhaps the most unusual in Rock n Roll history. When you are in that situation it is easy for reviewers to have long-winded philosophical discussions about what the band is trying to convey. And sometimes, an analysis of the music falls by the wayside. Make no mistake, A Moon Shaped Pool would stand on its own with or without Radiohead’s complicated history.