Attack of the Killer Track! is a series that explores tracks from artists from a variety of genres. Some of the tracks were singles, some of them were obscure b-sides or long forgotten album tracks. One thing is certain – all of them are killer tracks.
Fresh off a stint in Roxy Music, Brian Eno began putting out futuristic and bleak solo records. Still a few years away from becoming the Godfather of Ambient, these early records featured vocals on almost all the tracks and are similar in feel to David Bowie’s 1976 to 1980 output (where he was assisted on 3 of those records by…Brian Eno). Sometimes overlooked in favor of his instrumental work, they are records that really fit the description of “ahead of its time”. 1974’s solo debut Here Come The Warm Jets has been described as “glammed up art-pop” which is as an apt of a description as I can think of. The nonsensical lyrics come to a fore in album standout Dead Finks Don’t Talk. Eno employed a free associative view to the lyrics, believing the vocals were just another instrument. ‘Finks is post-punk before punk even existed, avant-garde yet pop in structure. Eno even throws in a bit of an Elvis Presley impression at the 1:16 mark. An absolute highlight and a nice starting point for Brian Eno’s 40 years of solo work. Here Come The Warm Jets hit #26 on the UK charts and has been a consistent seller for Eno, since its release 40 years ago. In 2014 Brian Eno has already released 2 records and provided guest vocals on Damon Albarn’s record. We haven’t even talked about Eno’s career as record producer for some of the biggest names in music over the last 35 years. Perhaps another time. Until then, here’s where it all starts. “Oh cheeky cheeky / Oh naughty sneaky / You’re so perceptive and I wonder how you knew”